Annelise Clément


Annelise began learning music at the Ecole Nationale de Musique de Saint-Brieuc, in Brittany, where she obtained first prizes in musical training (1995), chamber music and clarinet (1998) in the class of Bruno Spinosi. Admitted to the Geneva Conservatory of Music in 2000 in the class of Thomas Friedli, she graduated three years later with a concert diploma (formerly virtuosity prize) with honors.

Attracted by contemporary music, she then joined Fabrice Pierre’s twentieth century workshop at the Conservatoire National Supérieur de Musique de Lyon and specialized in bass clarinet with Philippe-Olivier Devaux, then Henri Bok (Post-grade at the Conservatoire Supérieur de Musique de Rotterdam).

Holder of the state diploma of clarinet teacher and admitted to the PEA competition of the CNFPT, she currently teaches at the Conservatory of Vanves (92, Agglomération GPSO), after having previously taught at the National School of Music of Vannes-Pontivy (1998-2008), at the Conservatory of Massy (91) and at the Franco-German School of Saint-Cloud (92).

Regularly playing in symphony orchestra formations (Orchestre National d’Ile-de-France, Orchestre d’Auvergne, Orchestre Royal de Chambre de Wallonie, Philharmonie des Nations, Orchestre Pasdeloup, Orchestre de l’Alliance, Opéra en plein air, Sinfonietta de Paris, Attergau Institute Orchestra, Atelier lyrique de Haute-Normandie, Orchestre des Lauréats du Conservatoire, Ensemble Ephémère, Orchestre Français des Jeunes…), She has been assiduously practicing chamber music within, among others, the wind quintet ” ArteCombo ” from 2007 to 2015 (winner of the International Henri Tomasi Competition in Marseille 2011) or the trio with cello and piano ” Nouvelle Philharmonie ” as well as improvisation in contemporary jazz groups, ” Ojan Septet ” (2000-2005) and ” Illaps ” since 2014, where she also performs on bass clarinet.

She has also worked with several theatrical, circus or choreographic companies during musical shows (Pierre et le loup with Ecla théâtre (75), Caravane Gazelle with Le Bruit Qui Pense (75), Comic symphonic with the Orchestre Symphonique Lyonnais (69), Stravinsky’s L’histoire du soldat with the Théâtre du Tiroir des affabulations (53), Pierre la Tignasse (creation) with the Théâtre de la Vallée (95), Carmen with the Concerts de Poche (77), Shakespeare’s La Tempête with the Nomades company (02), Spectacle Nord-Sud with the Buren Cirque (75), Debussy’s La Boîte à joujoux with the None Quartet (78)…) and regularly practices contemporary music in the context of composers’ creations, within the structures with which it collaborates (L’Itinéraire, Collectif Motus, Ensemble Syntax, Ensemble C Barré, CIRM de Nice, CCMIX, Ensemble Skênê, Ensemble InSoliTus, Confrérie des Clars Graves…).

Curious about new improvisation techniques, she has been practicing soundpainting (directed improvisation technique) since 2006 within the Ensemble Anitya and has co-directed, within the company L’écho Mis Sur, a musical show of free improvisation created in August 2007 at the festival Son MiRé, Filature (violin, clarinets, computer and reciter), based on a text by Jacques Jouet, as well as a choreographic show (two dancers and a clarinetist) for very young audiences, in 2009, DoRéMiSplash, for the company Le Guetteur.

Artistic director of the musical company Les Arts-Boutants and of the associated ensemble (creation in 2015), she is interested, in parallel to her musical activities, in issues of performers’ rights and is thus elected to the Adami board of directors in December 2015.

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