Interpunct (2011) | piano | 3′ | FC
Prelude (2002) | piano | 3′ | FC
Polychordo (2019) | mandolin, guitar and harp | 8’30” | WP
Evis was born in Cyprus in 1979, where he had his first musical lessons at the age of six. By the age of sixteen, he had already obtained both the LRSM and the Performance and Teaching Diploma with distinction before moving to England in 1998 for university studies.
Upon graduation from the University of Hull with a first class degree (BMus) in all disciplines and the Departmental Prize, he completed his PhD studies in Musical Composition at the University of York under the supervision of Dr Thomas Simaku in 2006. Evis has also furthered his studies at world-renowned festivals, seminars and workshops, including Darmstadt, IRCAM, Royaumont and Tanglewood as a composition fellow, and worked with leading composers such as Brian Ferneyhough, Georges Aperghis, George Benjamin, Johannes Schollhorn and Augusta Read Thomas.
Following his PhD studies, Evis was awarded a Wingate Foundation Scholarship (2005–2007) to pursue his compositional research more independently, whilst teaching Composition and Orchestration at Nottingham University (2005–2007) and guitar performance at York University (2002–2007).
Evis Sammoutis’ works have been commissioned by festivals and organizations, such as Venice Biennale, Klangspuren, Royaumont, Barlow Endowment, Ernst von Siemens Foundation, Chamber Music America and ARD; performed at leading festivals and contemporary music series, such as Tanglewood, MusicNOW, Gaudeamus, Music of Today and ISCM, in more than forty countries throughout Europe, America, Africa and the Far East and broadcast on several national radio stations throughout Europe, America and the Far East, such as BBC Radio 3, SWR2, Radio France and RAI3.
Evis has received numerous accolades and over thirty-five compositional awards, prizes and scholarships as well as recognition at competitions, including the Royal Philharmonic Society Award (England), the Irino Prize (Japan) and the Franz Liszt Scholarship (Germany); first prizes at the Andres Segovia (Spain), Look and Listen (USA) and Dundee (Scotland) competitions; second prizes at Concours Dutilleux (France), Jurgenson (Russia), Y.A Papaioannou (Greece) and Samobor (Croatia) competitions; special prize at the Fifth Annual Composition Contest of the Yvar Mikhashoff Trust for New Music (USA); an honourable mention at the IMRO Composers Competition (Ireland); a DAAD Research Fellowship (Germany) and a Fulbright Scholarship for Advanced Research (USA).
Performers include leading ensembles and specialists in new music such as the Ensemble Modern, Klangforum Wien, Neue Vocalsolisten, the Arditti, KAIROS, Kreutzer, Doelen, Zephyr and Prometeo String Quartets, Ensemble Nomad, Ensemble Aleph, EXAUDI, Het Collectief, New York Woodwind Quintet, Arirang and Chantily Quintets, Les Percussions de Strasbourg, Endymion and members of Philharmonia Orchestra; orchestras such as London Symphony Orchestra, Holland Symfonia, the Orchestra of Opera North and the Athens Symphony Orchestra; as well as soloists such as Peter Sheppard Skaerved, David Alberman, Alan Thomas, Movses Pogossian, Rohan de Saram, Sarah Leonard, Julian Warburton, Adrian Spillett and John Potter, to name a few. Conductors include Christoph Poppen, Elgar Howarth, Kasper de Roo and Franck Ollu, among others.
Evis is currently Assistant Professor of Composition at Ithaca College, NY and he is also the Co-founder and Artistic Director of the Pharos Arts Foundation International Contemporary Music Festival, established in 2009.
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